Flutes, Recorders and Woodwinds

Book description

Hardcover: 258 pages.
Publisher: London: Tony Bingham, cop.
Language:

Book description

Spiral-bound: 273 pages.
Publisher: Roncorp, Incorporated (August 1987)
Language: English

Book description
Revised and expanded since it first appeared in 1991, the guide features two new chapters on ornamentation and rehearsal techniques, as well as updated reference materials, internet resources, and other new material made available only in the last decade. The guide is comprised of focused chapters on performance practice issues such as vocal and choral music; various types of ensembles; profiles of specific instruments; instrumentation; performance practice issues; theory; dance; regional profiles of Renaissance music; and guidelines for directors. The format addresses the widest possible audience for early music, including amateur and professional performers, musicologists, theorists, and educators.

: 504 pages.
Publisher: Indiana University Press; Second Edition edition (August 2, 2007)
Language: English

Book description

Paperback: 147 pages.
Publisher: Northern Illinois University Press; Rev Sub edition
Language: English

Book description

Unknown Binding: 38 pages.
Publisher: Boosey & Co; New Ed edition
Language: English

Book description
Quel est le rôle du biseau d'une flûte ? Comment se constitue le " timbre " d'un instrument, qui nous permet de distinguer à coup sûr une trompette d'une clarinette ? A travers de nombreux exemples illustrés, cet ouvrage présente les bases nécessaires pour comprendre les phénomènes complexes à l'œuvre dans les instruments de musique. Il s'adresse aux chercheurs, aux étudiants - des exercices corrigés en ligne leur sont proposés - et aux ingénieurs, mais aussi aux musiciens, facteurs et mélomanes qui souhaitent acquérir les fondements de l'acoustique musicale. Détaillant les résultats considérables acquis ces quinze dernières années, les auteurs s'appuient sur l'analyse progressive des briques élémentaires participant à la production du son pour dégager des concepts applicables à l'ensemble des instruments. Ils montrent en particulier que des modèles physiques, même simples, peuvent être mis à profit pour des applications concrètes en facture instrumentale, en prise de son ou en synthèse sonore. Un livre très attendu qui fera date.

Broché: 704 pages.
Publisher: Belin (6 novembre 2008)
Language: Français

Book description

Unknown Binding: 42 pages.
Publisher: Experimental Musical Instruments; Rev. ed edition (1999)
Language: English

Book description
This far-reaching and absorbing book is designed to help identify and value woodwind instruments made in Europe and the United States during the eighteenth and nineteenth centuries. Drawing upon the author's many years of research in the field, the book includes a brief history of European woodwind instruments made during the eighteenth and nineteenth centuries; biographies of important makers; a glossary of terms that will be a welcome help for the novice; a list of key systems; resources for obtaining further information from books, museums, societies, and online; and most importantly, information and nearly 300 images taken from over 20 trade catalogs printed between 1880 and 1930 in Europe and the United States. Featured among these is a complete translation of William Heckel's rare, circa 1930 catalog. This comprehensive volume is an outstanding resource for beginning and advanced collectors of musical instruments as well as for museum curators.

Paperback: 160 pages.
Publisher: Schiffer Publishing (January 1, 2000)
Language: English

Book description
A guide to the history of the four main woodwind instruments of the Baroque - the flute, the oboe, the recorder and the bassoon -complemented by a repertoire list for each instrument. It also guides those who are interested towards a basic technique for playing these instruments. A certain level of musical literacy is assumed. Advice is given on buying a suitable reproduction instrument from a market where now virtually any Baroque instrument can be obtained as a faithful copy.

Hardcover: 181 pages.
Publisher: Ashgate Publishing; illustrated edition edition (August 1999)
Language:

Book description
Tips für Anschaffung und Pflege, Stimmkorrekturen und Reparaturen, 84 S., Broschur

Broschiert: 84 pages.
Publisher: Edition Moeck 4058
Language: Deutsch

Book description
Erstmals werden alle Renaissanceblockflöten des Kunsthistorischen Museums, die weltweit zu dem bedeutendsten erhaltenen Bestand früher Blockflöten zählen, präsentiert. Der Katalogteil bietet dem Leser relevante Vermessungsdaten, die im Falle der Innenbohrungen mittels Grafiken veranschaulicht werden, sowie Abbildungen von Details der Instrumente und ausführliche Beschreibungen, die den Zustand der Musikinstrumente und deren Merkmale genau dokumentieren. Die Beiträge bieten Einblicke in die historische Entwicklung des Renaissanceblockflötenbestands der Sammlung alter Musikinstrumente, diskutieren aktuelle Forschungsergebnisse, die im Zuge der Untersuchungen für den vorliegenden Katalog evident wurden, widmen sich den wichtigsten theoretischen Quellen der Renaissance, in denen Wissen über die Blockflöten vermittelt wurde, sowie adäquaten ikonographischen Belegen und geben Raum zur Reflexion aufführungspraktischer Fragen. Mehr anzeigen Weniger anzeigen

: 336 pages.
Publisher: KHM = Kunsthistorisches Museum Wien (Skira) (Wilfried Seipe)
Language: Deutsch

Book description
Die Sammlung alter Musikinstrumente des Kunsthistorischen Museums in Wien verfügt über einen entscheidenden Teil des weltweit erhaltenen Musikinstrumentenbestands der Renaissance und des Frühbarock. Viele dieser Instrumente zählen heute zu den meistgesuchten Vorbildern für Nachbauten, die in der Alten Musik gespielt werden. Vor allem stellen die frühen Holzblasinstrumente eine wichtige Informationsquelle dar, die zu einer adäquaten Aufführungspraxis anleitet und Wissen über die Technologien im Instrumentenbau der Renaissance eröffnet. Im Rahmen eines umfangreichen Forschungsprojekts konnten die Zinken und der Serpent der Sammlung alter Musikinstrumente mittels industriellen 3D-CT-Verfahrens vermessen werden.

Tapa dura: 248 pages.
Publisher: Edition Bochinsky (Ppv Medien Gmbh)
Language: Deutsch

Book description

: 316 pages.
Publisher: Ediciones del signo. Buenos Aires
Language: Castellano

Book description
This manual provides detailed, step-by-step instructions and fully dimensioned drawings for crafting the unique flute of the American Indian. Included are plans for 6 different flutes including a drone or double flute. Also, the appendices contain charts, patterns, layout guides, history, music, discussions of materials and tools, and 11 pages of resources for builders and enthusiasts. About the Author. Russ Wolf is a former wood shop teacher and flute builder from Texas. A member of the International Native American Flute Association he is also a co-founder of the North American Plains Flute Society.

Plastic Comb: 109 pages.
Publisher: Wolf Song Publications
Language:

Book description

Unknown Binding: 51 pages.
Publisher: Tai Hei Shakuhachi; Tai Hei Shakuhachi ed edition (1994)
Language:

Book description
Ein Jubiläumsbuch, 400 S. mit zahlreichen Farbtafeln und s/w-Abb., Leinen mit vierfarbigem Schutzumschlag

Hardcover: 400 pages.
Publisher: Moeck
Language: Deutsch

Book description
Eine tabellarische Übersicht, 16 S., Broschur

Taschenbuch: 16 pages.
Publisher: Edition Moeck 4023
Language:

Book description
Shepard's soul-felt passion for the flute resonates through his book like music. It's a comprehensive guide with something for everyone, from novice to professional, and so well written that it's a pleasure just to browse through it. This book inspires.

Paperback: 112 pages.
Publisher: Shepard Publications; Reprint edition (December 19, 1980)
Language: English

Book description

Paperback: 373 pages.
Publisher: Peter Lang Publishing (April 2003)
Language: English

Book description

: 231 pages.
Publisher: Real Musical / Madrid
Language:

Book description

Unknown Binding: 43 pages.
Publisher: Dryad Press; 5th ed edition (1971)
Language: English

Book description
The authors introduce readers to make-it-yourself musical instruments. There is an amazing wealth of information here, covering not only how-to's and history but also extending into the social sciences and even science. We learn that pigeon flutes (crafted gourds attached to the birds' tails) were first mentioned about A.D. 1041 A.D. and that drummers are highly respected in India. Actual instructions on gourd transformations into spike fiddles, water drums, and even xylophones are included, along with a few photographs. But all the erudition tends to drown out the craft aspect, since instructions are sandwiched within the narrative text, and photographs are less than optimal. Nonetheless, a book that patient crafters will appreciate. Barbara Jacobs Historically, ethnic groups in many countries have used a great number of musical instruments made from gourds. In North America these instruments are used mainly by percussionists. Most of the step-by-step projects in this book by gourd artists Summit and Widess (The Complete Book of Gourd Craft) are for percussion or stringed instruments such as the Latin American guiro (gourd scraper) or the spike fiddle. There are also a few from the wind family, such as the fipple flute. These are legitimate musical instruments made from traditional materials, and they are fully playable as well as being beautifully crafted. Highly recommended for general crafts as well as ethnomusicology collections.

Hardcover: 144 pages.
Publisher: Sterling
Language: English

Book description
The authors introduce readers to make-it-yourself musical instruments. There is an amazing wealth of information here, covering not only how-to's and history but also extending into the social sciences and even science. We learn that pigeon flutes (crafted gourds attached to the birds' tails) were first mentioned about A.D. 1041 A.D. and that drummers are highly respected in India. Actual instructions on gourd transformations into spike fiddles, water drums, and even xylophones are included, along with a few photographs. But all the erudition tends to drown out the craft aspect, since instructions are sandwiched within the narrative text, and photographs are less than optimal. Nonetheless, a book that patient crafters will appreciate. Barbara Jacobs Historically, ethnic groups in many countries have used a great number of musical instruments made from gourds. In North America these instruments are used mainly by percussionists. Most of the step-by-step projects in this book by gourd artists Summit and Widess (The Complete Book of Gourd Craft) are for percussion or stringed instruments such as the Latin American guiro (gourd scraper) or the spike fiddle. There are also a few from the wind family, such as the fipple flute. These are legitimate musical instruments made from traditional materials, and they are fully playable as well as being beautifully crafted. Highly recommended for general crafts as well as ethnomusicology collections.

Paperback: 144 pages.
Publisher: Sterling
Language: English

Book description

Unknown Binding: 24 pages.
Publisher: Dryad; 3rd. rev. ed edition (1935)
Language: English

Book description

Paperback: 144 pages.
Publisher: Lark Books; New Ed edition (February 1999)
Language: English

Book description

Unknown Binding: 58 pages.
Publisher: Vincent Kurpan (1998)
Language: English

Book description

Unknown Binding: 54 pages.
Publisher: L.P. Price (1997)
Language:

Book description
Recopilación de artículos

Textbook Binding: pages.
Publisher: Academic Press (January 1977)
Language:

Book description
Die Instrumente, die hier vorgestellt werden, gehören zur Sammlung von Haags Gemeentemuseum; sie wurden zwischen 1680 und 1760 gebaut und sind niederländischer Herkunft. Von all diesen Instrumenten sind Bauzeichnungen und technische Details ins Buch aufgenommen worden. Gezeigt werden 6 Blockflöten von Abraham van Aardenberg, 3 Blockflöten von Willem Beukers, je eine Altflöte von Thomas Boekhout, der Familie van Heerde und Frederik de Jager, eine Bassflöte von I. Roosen, 3 Blockflöten von Engelbert Terton und eine „Third Flute“ von Robert Wijne.

Hardcover: 163 pages.
Publisher: Moeck
Language: Deutsch, English

Book description
Nach einer historischen Einleitung und Erläuterungen zur technischen Terminologie gibt es in diesem Buch biografische Anmerkungen zu mehr als 30 niederländischen Blasinstrumentenbauern.Die Sammlung niederländische Blasinstrumente des 17. und 18. Jahrhunderts im Gemeentemuseum Den Haag ist weltberühmt. Das vorliegende Buch dokumentiert reichhaltig alle diese Kostbarkeiten. Nach einer historischen Einleitung und Erläuterungen zur technischen Terminologie gibt es biografische Anmerkungen zu mehr als 30 niederländischen Blasinstrumentenbauern. Es folgen ausführliche Beschreibungen aller aufgeführten Instrumente. Die Darstellung ist insofern einzigartig, als dass sie die historischen und biografischen Erläuterungen um technische Modellzeichnungen aller Instrumente in Originalgröße ergänzt. Instrumentos de un museo.

Gebundene Ausgabe: 172 pages.
Publisher: Edition Bochinsky
Language: Deutsch / English

Book description
With good, old-fashioned, straight-forward biographies of some of the great Baroque composers, "Lutes, Recorders and Harpsichords: The Men and Music of the Baroque" is edifying and easy reading. The biographies are not lost in detail or agendas but are straightforward portraits of musical lives, weaving political influence and musical development into the lives, not the other way round. Some models for imitation: like Couperin le Grand, whose prudence and temperance helped him establish a family dynasty of music. Some to shy away from: like Fr. Vivaldi who apparently ran from his stable, highly successful career as a girl's-school composer to die in the pursuit of fabulous wealth and success. And many in between. The book also traces the development of the Baroque style by treating the composers as comparative studies, with interest--and, unfortunately, a bias towards progressivism: throughout, if its new its good, but that is my only complaint. The chapters: The Baroque Era Instruments of the Baroque Giovanni Gabrieli Don Carlo Gesualdo, Prince of Venosa Claudio Monteverdi Girolamo Frescobaldi Arcangello Corelli Antonio Vivaldi Jean Baptiste Lully Francois Couperin Jean-Phillipe Rameau Heinrich Schutz Dietrich Buxtehude Georg Philipp Telemann Henry Purcell

Hardcover: pages.
Publisher:
Language:

Book description
With good, old-fashioned, straight-forward biographies of some of the great Baroque composers, "Lutes, Recorders and Harpsichords: The Men and Music of the Baroque" is edifying and easy reading. The biographies are not lost in detail or agendas but are straightforward portraits of musical lives, weaving political influence and musical development into the lives, not the other way round. Some models for imitation: like Couperin le Grand, whose prudence and temperance helped him establish a family dynasty of music. Some to shy away from: like Fr. Vivaldi who apparently ran from his stable, highly successful career as a girl's-school composer to die in the pursuit of fabulous wealth and success. And many in between. The book also traces the development of the Baroque style by treating the composers as comparative studies, with interest--and, unfortunately, a bias towards progressivism: throughout, if its new its good, but that is my only complaint. The chapters: The Baroque Era Instruments of the Baroque Giovanni Gabrieli Don Carlo Gesualdo, Prince of Venosa Claudio Monteverdi Girolamo Frescobaldi Arcangello Corelli Antonio Vivaldi Jean Baptiste Lully Francois Couperin Jean-Phillipe Rameau Heinrich Schutz Dietrich Buxtehude Georg Philipp Telemann Henry Purcell

Library Binding: pages.
Publisher: Scribner (January 2000)
Language:

Book description
With good, old-fashioned, straight-forward biographies of some of the great Baroque composers, "Lutes, Recorders and Harpsichords: The Men and Music of the Baroque" is edifying and easy reading. The biographies are not lost in detail or agendas but are straightforward portraits of musical lives, weaving political influence and musical development into the lives, not the other way round. Some models for imitation: like Couperin le Grand, whose prudence and temperance helped him establish a family dynasty of music. Some to shy away from: like Fr. Vivaldi who apparently ran from his stable, highly successful career as a girl's-school composer to die in the pursuit of fabulous wealth and success. And many in between. The book also traces the development of the Baroque style by treating the composers as comparative studies, with interest--and, unfortunately, a bias towards progressivism: throughout, if its new its good, but that is my only complaint. The chapters: The Baroque Era Instruments of the Baroque Giovanni Gabrieli Don Carlo Gesualdo, Prince of Venosa Claudio Monteverdi Girolamo Frescobaldi Arcangello Corelli Antonio Vivaldi Jean Baptiste Lully Francois Couperin Jean-Phillipe Rameau Heinrich Schutz Dietrich Buxtehude Georg Philipp Telemann Henry Purcell

Unknown Binding: 167 pages.
Publisher: Atheneum
Language: English

Book description
This is a book to be consulted rather than one to read in a single session. Certainly it is unique: there is no other that covers the same ground so comprehensively. J. NORMAN, The Organ Yearbook, XLIII (2014) … research on the musical instruments includes their historical development, the evolution of construction techniques, materials employed, timbre characteristics, sound yield and much besides… as essential an instrument to science historians as it is to musicians and musicologists. P. P. DONATI, Informazione organistica, XXVI-1 (2014) In conclusion, I think Barbieri has given us a very valuable book, summarizing as it does nine centuries of acoustical thinking about wind instruments and organ pipes. It is definitely a reference book, not an introductory text. The density of information is very high, and I would not suggest reading it from beginning to end like a novel. R. PYLE, The Galpin Society Journal, LXVIII (2015) It is a welcome ? and important ? addition to a still very much understudied field. The book should be received as nothing less than Barbieri’s opus magnum. … Complete with an extensive bibliography and a detailed index, this book, when regarded as a reference manual rather than a standard historical narrative, will be an essential entry point to the study of musical instruments. J.-F. GAUVIN, Isis (“History of Science Society”), CVI-1 (March 2015)

Hardcover: 578 pages.
Publisher: Il Levante (10 de diciembre de 2013)
Language: English

Book description

Unknown Binding: 63 pages.
Publisher: L.P. Price (1991)
Language: English

Book description

Paperback: 44 pages.
Publisher: Shepard Publications (August 8, 2003)
Language: English

Book description

Paperback: 112 pages.
Publisher: Edition Moeck 4054
Language:

Book description

Paperback: pages.
Publisher: University of Massachusetts Press
Language:

Book description

: 137 pages.
Publisher: Pendragon Pr; 2 Revised edition (May 1, 2002)
Language:

Book description
In the 1530s, five brothers from the Bassano family, outstanding wind players and instrument makers, emigrated from Venice to England. This is a study of these brothers, their sons and daughter and their grandsons. The first half of the book discusses the everyday affairs of the family - their relationships, religion, property, law suits, finances and standing in society. Two chapters are devoted to Emilia Bassano, whose identification as the "dark lady" of Shakespeare's sonnets is supported by a wealth of evidence. The second half of the book discusses the family's musical activities. At the English court, the Bassanos founded a recorder consort that lasted 90 years; they also played in the flute/cornett and shawn/sackbutt consorts. As instrument makers their fame extended throughout Europe. The book's appendices present information on the Venetian branch of the family and the musical activities of the English branch since 1665.

Hardcover: 288 pages.
Publisher:
Language:

Book description
This handbook for flautists addresses all who wish to consider the issues raised when performing music of the past, and experiment with them on old or new instruments. Its aim is to provide an authoritative and practical guide with evidence drawn from a variety of primary sources directly and indirectly associated with the flute. The author provides sound advice on instruments and their care, historical techniques, stylistic issues and historically informed interpretation, with examples drawn from a wide range of case studies, including Bach, Handel, Mozart and Brahms.

: 200 pages.
Publisher: Cambridge University Press (April 21, 2003)
Language:

Book description

Paperback: 32 pages.
Publisher: Shire Publications
Language:

Book description
With these two volumes, the publisher launches its promising "Musical Instrument" series, in which noted scholars/ performers discuss instruments in light of the newest research. Forthcoming titles will cover the piano, the clarinet, the cello, the violin, and the trumpet. Montagu has played timpani and percussion professionally for more than 50 years and oversaw the Bate Collection of Musical Instruments at Oxford, and Powell is a noted solo flautist and president of Folkers & Powell, Makers of Historical Flutes, in Hudson, NY. Each has written an informative and authoritative guide for those with previous background in these instruments and a serious desire to understand their place in history. Taking a chronological approach, the authors trace the instruments from earliest known records and discuss the changes in construction, social context, and repertory, as well as notable performers and makers. Montagu's appendixes include information about playing techniques and the construction of percussion instruments, and Powell's reference section contains extremely valuable coverage of past and current scholarship on flutes. In addition to being well written, the books are sturdy and beautifully illustrated. Highly recommended for academic libraries, public libraries where an interest in music is strong, and upper-level music students generally. Timothy J. McGee, Univ. of Toronto Copyright 2002 Reed Business Information, Inc.

: 360 pages.
Publisher:
Language:

Book description
Classic of organology; inventor of modern flute covers history, acoustics, techniques, keying, etc. Includes 50 illustrations.

Paperback: 197 pages.
Publisher: Dover Publications; 2 edition (June 1, 1964)
Language: English

Book description
Ardal Powell, a leading authority on and maker of early flutes, offers here a translation and study of J. G. Tromlitz's tutor for the eight-keyed flute, first published in German in 1800. Powell explores the instrument's history and assesses Tromlitz's importance as a designer. The volume contains information vital to the historically informed performance of classical and Romantic music. `If no other praise were due, the mere fact of his translating these books would have indebted the general, and specifically the English-speaking readers to Ardal Powell...More, and even higher praise is merited by the fact that Mr Powell placed this text in its historical context and perspective...The translation of Tromlitz's text makes fluent and comfortable reading. It does not feel as a translation. No mean feat!...Ardal Powell suceeds eminently in establishing Tromlitz, with Johann Joachim Quantz before and Theobald Boehm after him as the pioneering maker, teacher and theoretician he undoubtedly was. providing the flute world with a book that puts the development of the flute from 1800 to this day in a better and more consequential perspective. Bravo.' FOMRHI

: 288 pages.
Publisher: Oxford University Press, USA; illustrated edition edition (August 29, 1996)
Language:

Book description

Unknown Binding: 6 pages.
Publisher: L.P. Price (1995)
Language:

Book description
A Choice "Best Academic" book in its first edition, The Recorder remains an essential resource for anyone who wants to know about this instrument. This new edition is thoroughly redone, takes account of the publishing activity of the years since its first publication, and still follows the original organization.

: 320 pages.
Publisher: Yale University Press; 1 edition (December 31, 2008)
Language:

Book description
Traverso, the international newsletter of historical flutes and flute-playing, celebrates its twentieth anniversary by reprinting the entire run of back issues in Volumes 11-20. The volume contains forty articles on the renaissance, baroque, classical, and early romantic flute, its repertoire, and performance practice, by expert authors including Rahel Brown, David Lasocki, Gianni Lazzari, Linda Pereksta, Kim Pineda, Ardal Powell, Stephen Preston, Susan E. Thompson, and Luca Verzulli. Also included are a new bibliography of writings on historical flutes and flute-playing published in 1999-2008, compiled by David Lasocki, and a CD with a searchable PDF of the entire publication including high-resolution color images.

: 200 pages.
Publisher: Pendragon Pr; Pap/Cdr edition (August 15, 2009)
Language:

Book description
TRAVERSO is a quarterly newsletter for people interested in the history of the flute and flute-playing. In its first ten years of publication, 1989-98, it published forty articles on the flute in the baroque and classical periods, its repertoire, and performance practice, by expert authors including Janice Dockendorff Boland, Eberhard Dehne-Niemann, Catherine Folkers, Claire Fontijn, Jean-Christophe Frisch, Bruce Haynes, Leta E. Miller, Ardal Powell, Patricia M. Ranum, Jeanne Swack, and Jed Wentz. These articles provide historical information on the instrument and its builders, the music and its composers, and the lives and ideas of flutists in the eighteenth and nineteenth centuries, as well as suggesting how players of today can interpret this material and put it to use. The book also contains a new bibliography of writings on the history of the flute and its music published in all languages during 1989-98, compiled by David Lasocki.

Paperback: 198 pages.
Publisher: Folkers Flute Company, Limited.; 1 edition (February 1998)
Language:

Book description

Unknown Binding: 107 pages.
Publisher: Inner London Education Authority (1974)
Language: English

Book description
Peter Tomlin gives a remarkably complete introduction to woodwind instrument making using very basic tools. After some introductory material he walks the student through making a Transverse Flute, a Clarinet, an Oboe and a Bassoon. New operations are described as they are needed and there are many clear dimensioned drawings. The text is terse and the reader is expected to think things through, but there are few gaps. An excellent little book (70 pages) and almost completely unknown outside the U.K. Someone should reprint it.

Unknown Binding: 70 pages.
Publisher: Dryad Press (1973)
Language:

Book description

: pages.
Publisher:
Language: